Ladies and Gentlemen of the Internet, may I present for your anticipation, gradual build-up of ultimately brain-wrenching desire, and immediate viewing pleasure, the cover of my forthcoming novel, Barsk: The Elephants’ Graveyard.
My editor informs me that the release doesn’t happen until December, but the way I choose to spin that is it creates an opportunity for a solid ten months of buzz, and a cover reveal is an awesome beginning.
The cover art is by Victo Ngai, a Society of Illustrators NY Gold Medalist (she actually has a stack of gold and silver medals), and depicts her conception of one of the artificial “vents” that occur within the rainforests of the islands of Barsk. Specifically, a shaft visited by Pizlo, a young boy whose very existence is outside the strictures of Barsk culture.
He hung in open air, ruminating, suspended upside down in a well-tended shaft walled on all sides with living green. Seven such chimneys existed on the island of Keslo; every island on Barsk boasted at least one. Fant society created the insubstantial monuments as part memorial and part warning. Few reached all the way to the uppermost limits of the forest, or ran all the way down to its roots.
Barskg is a world of almost constant rain and breaks in the cloud cover are infrequent. Rarer still are the times when the clouds happen to part and allow a glimpse of any of the planet’s moons. In the scene Victo Ngai referenced for the cover, Pizlo has gone to a specific chimney at a specific time, following the urging of the voices in his head, to see his third of Barsk’s seven moons. Pizlo is a weird little kid, and he’s convinced the moon not only speaks to him, but tells him secrets.
So, now that you’ve seen the cover and read a snippet, it’s time to tease you a bit more. How am I going to do that, you ask? Why, by sharing with you some of the remarks from other folks, Big Name Authors all, who have already read the finished book: